{"id":75595,"date":"2020-12-17T22:37:47","date_gmt":"2020-12-17T22:37:47","guid":{"rendered":"http:\/\/www.icia.pl\/2020\/?page_id=75595"},"modified":"2020-12-18T13:46:12","modified_gmt":"2020-12-18T13:46:12","slug":"leo-tsao","status":"publish","type":"page","link":"http:\/\/www.icia.pl\/2020\/vr-cave\/leo-tsao\/","title":{"rendered":"Leo Tsao"},"content":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; equal_height=&#8221;yes&#8221; gutter_size=&#8221;4&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; position_vertical=&#8221;middle&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_custom_heading heading_semantic=&#8221;h1&#8243; text_size=&#8221;h1&#8243; sub_lead=&#8221;yes&#8221; sub_reduced=&#8221;yes&#8221; subheading=&#8221;Leo Tsao (Australia)&#8221;]<em>Four Walls <\/em>(2018)[\/vc_custom_heading][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;100&#8243; position_vertical=&#8221;middle&#8221; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; back_color=&#8221;color-prif&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_custom_heading heading_semantic=&#8221;h5&#8243; text_size=&#8221;h4&#8243; text_color=&#8221;color-xsdn&#8221; sub_lead=&#8221;small&#8221; sub_reduced=&#8221;yes&#8221; subheading=&#8221;Mi\u0119dzynarodowy Konkurs na Intermedialne Dzie\u0142o Sztuki 2018&#8243;]Zwyci\u0119zca w kategorii <a href=\"http:\/\/www.icia.pl\/2018\/pl\/laureaci\/\">Intermedialne dzie\u0142o sztuki<\/a>[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;2&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; equal_height=&#8221;yes&#8221; gutter_size=&#8221;4&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; position_horizontal=&#8221;left&#8221; position_vertical=&#8221;middle&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_column_text]<strong>Four Walls<\/strong> skupia si\u0119 na czworgu Nowojorczykach ze spo\u0142eczno\u015bci queer oraz ich relacji z w\u0142asn\u0105 przestrzeni\u0105 osobist\u0105 i otoczeniem. Eksploruje podobie\u0144stwa do\u015bwiadcze\u0144 fenomenologicznych os\u00f3b queer, jak r\u00f3wnie\u017c r\u00f3\u017cnice tworzone przez punkty styczne to\u017csamo\u015bci. Muzyka autorstwa Nin Martoize.[\/vc_column_text][vc_custom_heading heading_semantic=&#8221;h5&#8243; text_size=&#8221;h5&#8243; sub_lead=&#8221;small&#8221; sub_reduced=&#8221;yes&#8221; subheading=&#8221;ICIA 2018 Jury: Izabella Gustowska, Ryszard W. Kluszczy\u0144ski, Micha\u0142 Ostrowicki \/ Sidey Myoo, Miros\u0142aw Rogala, Jeffrey Shaw&#8221;]Uzasadnienie werdyktu Jury[\/vc_custom_heading][vc_column_text]<em>Jury wzi\u0119\u0142o pod uwag\u0119 uniwersaln\u0105 prezentacj\u0119 wymiaru ludzkiej egzystencji, przenikni\u0119t\u0105 dyspersj\u0105 i transformacj\u0105. W pracy pokazano \u017cycie czworga bohater\u00f3w, kt\u00f3rych \u015bwiat ulega destrukcji. Praca uwidacznia warto\u015b\u0107 wykorzystania efekt\u00f3w transformuj\u0105cych zastan\u0105 rzeczywisto\u015b\u0107, kt\u00f3ra rozpada si\u0119 i konstruuje na nowo.<\/em>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; back_color=&#8221;color-prif&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_custom_heading heading_semantic=&#8221;h5&#8243; text_size=&#8221;h5&#8243;]Artysta[\/vc_custom_heading][vc_column_text]<strong>Leo Tsao<\/strong> to australijsko-tajwa\u0144ski artysta i projektant aktualnie dzia\u0142aj\u0105cy w Nowym Jorku. Jego prace badaj\u0105 fenomenologi\u0119 queer i stawiaj\u0105 czo\u0142a opresyjnym perspektywom, tworz\u0105c nowe sposoby postrzegania. W 2015 uzyska\u0142 stypendium zagraniczne i studiowa\u0142 komunikacj\u0119 wizualn\u0105 ze specjalno\u015bci\u0105 w filmie fabularnym na Uniwersytecie Sztuki w Berlinie. Sko\u0144czy\u0142 studia w 2017 z tytu\u0142em licencjata w dziedzinie Designu z wynikiem bardzo dobrym na University of New South Wales Art &amp; Design. Obecnie w swoich pracach eksploruje: fenomenologi\u0119 queer, eksperymentalne praktyki artystyczne + aktywizm i ruchy spo\u0142eczne. Wi\u0119cej jego prac znale\u017a\u0107 mo\u017cna na stronie <a href=\"http:\/\/www.leotsao.com\/\">leotsao.com.<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading]360\u00b0 VR wideo instalacja[\/vc_custom_heading][vc_single_image media=&#8221;75325&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;2&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_single_image media=&#8221;75358&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;2&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading]Zwiastun[\/vc_custom_heading][vc_column_text]<a href=\"http:\/\/www.leotsao.com\/four-walls\">http:\/\/www.leotsao.com\/four-walls<\/a>[\/vc_column_text][vc_single_image media=&#8221;75355&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; equal_height=&#8221;yes&#8221; gutter_size=&#8221;4&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; position_vertical=&#8221;middle&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_custom_heading heading_semantic=&#8221;h1&#8243; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":74813,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.icia.pl\/2020\/wp-json\/wp\/v2\/pages\/75595"}],"collection":[{"href":"http:\/\/www.icia.pl\/2020\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.icia.pl\/2020\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.icia.pl\/2020\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.icia.pl\/2020\/wp-json\/wp\/v2\/comments?post=75595"}],"version-history":[{"count":4,"href":"http:\/\/www.icia.pl\/2020\/wp-json\/wp\/v2\/pages\/75595\/revisions"}],"predecessor-version":[{"id":75651,"href":"http:\/\/www.icia.pl\/2020\/wp-json\/wp\/v2\/pages\/75595\/revisions\/75651"}],"up":[{"embeddable":true,"href":"http:\/\/www.icia.pl\/2020\/wp-json\/wp\/v2\/pages\/74813"}],"wp:attachment":[{"href":"http:\/\/www.icia.pl\/2020\/wp-json\/wp\/v2\/media?parent=75595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}